| The watercolor painting workspace plays a vital | | | | work. Pin a cotton strip 4 inches wide 2 feet long |
| part in the success of a watercolorist.It is easier | | | | to the right of the board into the edge of the |
| and more productive having a private room to | | | | worktop for quick cleaning. Also use half a hand |
| work. Some painters need more space than | | | | towel for drying hands.The ground is not |
| others. Having your own workspace is a great | | | | stretched nor pinned nor fixed to the board in any |
| privilege. Not everyone has the good fortune to | | | | way. This will allow the paper to be quickly |
| have even the desire to paint let alone their own | | | | positioned in response to the movement of the |
| workspace where they can experiment and learn | | | | watercolor.A board tilt block should be softwood |
| to develop a God given talent.Adopt a permanent | | | | [resin-free] about 70 x 120mm. The softwood tilt |
| workspace if you can. At any time of the day or | | | | is lightweight for quick removal when required. A |
| night the workspace should be accessible and | | | | good idea is to cover the tilt with blanket material |
| allow freedom to commence work with | | | | to stop board rock.I use a flush door as a |
| immediate effect. There should be no need to ask | | | | worktop resting on bookcases. Its working height |
| others to leave or remove the belongings of | | | | has to suit you - crotch height when standing. |
| others out of the way. The workspace should be | | | | Suspend a tray shelf below 4 inches clear for |
| set aside and dedicated for your painting work | | | | portfolios.Over the worktop I lay doubled heavy |
| alone. Think of it as a sort of shrine and be | | | | white canvas sailcloth. Below the worktop is a |
| jealous of others going anywhere near your | | | | basket for waste paper and unwanted bits. On |
| workspace unless at your request. Privacy cannot | | | | the floor where I stand is a thick rug or strip of |
| be overstated. Try to keep the aura of the | | | | carpet to keep the feet warm and to prevent |
| workplace entirely your own. You do not allow the | | | | slipping.I sit on a draughtsman's adjustable height |
| vibrations of others to invade where you paint as | | | | and back revolve chair. I have a wooden angled |
| young children pets and nosy family members at | | | | footrest with a mat on it - for use when |
| the wrong time can be a pain.Always locate at | | | | seated.On the wall is a chalkboard for quick idea |
| right angles to a window from your left side. This | | | | sketching notesTo the right of board I have two |
| helps to give a strong feeling of light direction in | | | | white enameled gas oven trays for palettes and |
| your work. Watercolor painting is all about light. Oil | | | | behind the board I have additional narrower trays |
| and Acrylic painters create their own light quality | | | | for water buckets. |
| in their work. Watercolor painters have this for | | | | On these trays are all the painting materials for |
| free by retaining the light already in the paper. It | | | | quick removal. To the left behind the board are |
| is unwise to paint watercolors in artificial light.If | | | | test papers strips and cleaning paper rolls. A |
| you have a garden erect a lockable well insulated | | | | one-sided graduated stainless steel straight edge is |
| timber shed. The shed should be located windows | | | | wall hung. All white kitchen paper roll is used to |
| facing north and built to allow for extension. Direct | | | | dab watercolor clouds painting. Toilet rolls to the |
| light from the sun reflected by the paper up into | | | | right are used to clean and dry the oven trays.To |
| the eyes will cause glare and make it impossible | | | | the left of board are reference books color and |
| to work. It is better in the case of a garden shed | | | | other pencils. Also draughtsman tools setsquares |
| to fix a worktop along the whole length of the | | | | compasses dividers the lot. Build up these supplies |
| shed first making sure the distance between the | | | | gradually as needed. Do not waste money. On a |
| back edge of the entrance door frame and the | | | | separate table I let paintings to dry under mount |
| inside face of the window wall is sufficient to | | | | and glass. Do not forget the computer!Try to |
| accommodate the front to back dimension of the | | | | keep the air at constant temperature and |
| worktop.Fix a standpipe near the entrance door | | | | humidity. Try to position the workplace so you |
| for water. It will be good to connect an electricity | | | | can move around everything. Avoid having the |
| power supply.Materials should be ready available | | | | worktop with the long edge against the wall if |
| and in place. It should not be necessary to start | | | | possible - except of course in the case of a |
| cleaning brushes or the work desk or looking for | | | | garden shed studio. It is then easier to keep the |
| lost equipment before starting work. If possible | | | | studio clean and tidy.Please remember painting is a |
| lock the door against unwanted entry and only | | | | very private world where problems arising from |
| allow others in under your supervision. Do not lend | | | | the difficulties of the work need an advance in |
| anything to anyone. Before starting work the | | | | personal development before their solution is |
| most you should need to do is get fresh water to | | | | possible. It is advisable to keep mentally and |
| mix some colors. Start each work session as if | | | | physically fit. Resist depressions like the plague. |
| afresh.Your drawing board on which the paper | | | | Keep your spirits refreshed and positive at all |
| [ground] will rest should be large enough to | | | | times.My very best wishes.John Blenkin is a retired |
| accommodate the size of your paper with about | | | | architect and is now a watercolor painter and |
| 5 inches plus all round. Perhaps the optimum board | | | | article writer. His interests are wide covering both |
| size is 800 x 600 x 18mm thick - white laminate | | | | technical and philosophical subjects. He also writes |
| faced. The extra space is used to rest the hand | | | | online articles on the technique of watercolor |
| or to place test strips of paper cut from cheaper | | | | painting. |
| watercolor paper or the back of discarded spoiled | | | | |